Monday, 30 September 2013

Summer assignment-Comparative.

Throughout both V for Vendetta and Children of men there is a clear theme of justice and discrimination, however they show discrimination towards different identities. The prejudice in V for Vendetta is shown at the beginning of the film when Lewis Prothoroe, "the voice of London", describes Muslims and homosexuals as terrorists in a tone of disgust. His title of the "voice of London" suggests that he is very important to the public and therefore his racist opinions are likely to influence the viewers, this is an example of propaganda which is also used in Children of men. Children of men shows the influence of advertising, while Theo walks through London and uses the public transport there are constant adverts playing. One example of the advert is a terrorist suspicion ad, it shows only people of different ethnicities on screen with the word terrorist next to them suggesting they are the usual suspects. The media in both films is used to create fear and panic in the public.
Evey compares V to everyone "he was my father and my mother, my brother, he was you, he was me, he was all of us." We see the comparison between V and Gordon first when both of them say that Evey wouldn't be the worst thing they would find in their homes. Evey is also curious when Gordon makes her "eggie in the basket", as V had also made her the same breakfast. We discover that Gordon is gay, however he has to hide his true identity due to the current society. He says "you wear a mask for so long you forget who you were beneath it" this could be him suggesting towards wearing V's mask. This shows how V is everyone. To show more discrimination they have used Victoria and her letter, as we see the events from Evey's perspective we emphasize with the emotions she has when reading the letter. The letter was also given to V when he was in the same cell. When Evey enters the balcony in the rain she opens her arms and the camera changed to V when he came out of the prison, they have the same expression and body language implying the bond between them. The camera shows Evey and V getting ready and doing similar things, for example Evey puts on her black dress and it follows with V putting on his black clothing.
Both of the films are dystopian, they represent a warning of how the future could end up as if we allow the government to take our rights away. There is a fear of the government and they are not trusted. Black bags are used in both films to symbolise people's rights being taken away and they are used to kidnap people however in Children of men they're used on Theo to inform him on the corrupt government. Bexhill and Larkhill detention centre are similar as they are similar to concentration camps used in the war by the Nazis. Overall the governments in both films compare to fascist governments. Children of men suggests the warning that the world could become polluted and 'unfertile' if we don't change our own ways where as in V for vendetta it puts the most of the blame on the government. The films ay suggest to the audience that a revolution needs to take place to regain our rights in society as at the end of both films an uprising takes place. The boat that Theo uses in the end of Children of men is named "tomorrow", this symbolises the revolution and the new generation.

The majority of children of men is about the child innocence is lost in society, as there are n young people and therefore it is not a nice world. In V for vendetta they use Evey to portray how children's innocence can be taken away (and by the government) as the priest is a paedophile. Ideally a priest s supposed to be religious and therefore innocent however he takes away children's innocence and is then protected by the government. The heroes in the films can also be described as villains as they are going against the laws and rules, but they have good intentions. The settings of them both are very dull and dark, V for vendetta uses a lot of red implying blood and maybe communism power which could also foreshadow the uprising to get rid of the party in power.

Friday, 27 September 2013

27th September.


Class notes-
MACRO narrative- 
A bond between evey and v
Doing the same things, hair, face, black clothing
Lewis is a leader of some sort as people cheer his opinions
His opinions are racist and discriminating
Evey doesn't agree 
Zooms into a close up on telly man to show his importance and that he is powerful 

Themes-
dystopian
Thriller
Appresive, discrimination prejudice-mans speech

Messages-
figurative disguise (lipstick) and mask
Red room, blood foreshadow

Representation-
Close up on his face foreshadows his mystery and that you won't know who he is 
Juxataposition- switching camera
Male gaze of evey as she places lipstick and gets ready 
A similarity in the people 

Genre- 
Thriller, dressed in black mystery
Eery sound tension, non dijetic
Dim lighting and shadows 
Foreshadows that evey is going to fall into problems and v will have to save her(damsel in distress)

Tuesday, 24 September 2013

24th September class notes.


Classic Hollywood Narrative.

Most common structure of mainstream films.

The setup-Introduced to the characters, plot, goals, obstacles and likely future events.
The antagonist is introduced.
It engages the audience

The development- Plot complications are added to the story
Obstacles are included to stand in the way of the protagonists aim/journey.
Often includes a false resolution to the main problem.
It then continues towards an inevitable climax.

The resolution- The conflict is confronted, this is called the climax.
The hero/protagonist is usually the eventual victor.
Closure is introduced to the stories, most commonly the film will have a “Hollywood ending” and therefore the protagonists will live “happy ever after”.


SET UP- CONFRONTATION- RESOLUTION

Act 1
Ordinary world- (equilibrium)
Meeting the mentor- (introduced)

Act 2
Tests allies enemies
Approach the inmost cave- The hero will have to begin making preparations for the heart of the adventure, and the ordeal up ahead of him. He is now coming dangerously close to the climax of the adventure, and he shouldn’t approach unprepared.
Ordeal- (climax)
Reward

Act 3
The road back- resolution
Problem solver- elixer
















Donkey Kong part 3:
2, 3, 6
Desire for Princess Peach, Donkey Kong throws obstacles, 3rd person
Cause and effect: Donkey Kongs action of kidnapping Princess ends up in Mario fighting against him.

Super Mario Seth McFarlane:
2, 6
Desire for Princess Peach, 3rd person
No resolution
Humen centered- emotions
The “no” is a disruption
Opposition and conflict

Sneeze and disease:
4
one sneeze leads to a line of events and illness

Batman alternate ending:
5
unrealistic in our world, realistic in theirs

Monday, 23 September 2013

30th September

Class notes-
I killed you 10 minutes ago scene: 
She regrets
V has no remorse as he suffered because of her
V is out for revenge 
V=disfigured
V is experimented on to be made a superior race➡️Comparison to hitler and nazis (eugenics)
Mixed genres, hybrid 
Mother figure to V 
Psychopath=V 
👉Post-modern narrative👈
Mercy killing 
Injection penetrates her skin- phalic imagery relates to Froids theory
Red rose- romance, passion, danger, anger, hate, revolution 
Yonic symbol- flower, vagina
Soft sounds and camera, slow edit 
Dark colours 
Eveys perspective, distorted 

Tuesday, 17 September 2013

17th September.

Class notes.
V for vendetta cinematography clip: big screen suggests power
Darkness
"I want"- dominant
Characters have a common bond as they're all wearing similar clothes (black suit and tie)
Only 3 in the centre shows they're most important




Monday, 16 September 2013

13th September



Class notes. 
Shower scene
Begins in her bedroom, shows vulnerability 
Camera moves slowly= builds up suspense
Close ups- more dramatic and you are able to see her emotion more 
Focuses on her hand grabbing for the curtain as though she is trying to hold on to her life
Focuses on the running shower 
Plug hole comparison to her eye=nothing underneath/behind
Wide shot of her in the shower shows her vulnerability also as she is naked and unaware of the large figure behind her


Tuesday, 10 September 2013

10th September

Class notes.
planet of the apes 
MACRO(meaning)
narrative
'Hell' 
Style
Psychological 
Dystopian
Genre
Sci-fi
Representation 
Statue of Liberty sunk and in ruins shows America has been taken over 
No more welcome or peace 

Tool kit: cinematography, sound, mise-en-scene, editing 

Cinematography-narrative.
Man breaks down and hits hands like an ape as though he is adapting to the world
You realise that they are the only 2 humans left when the camera pans out and reveals the sunken Statue of Liberty 
The man lowers his level to the ground below the horse suggesting the animals are more powerful 
Message to the film
Post apocalyptic 
Emptiness feeling, long shot empty shot 

Rate- speeds up frames 
More frames slower film

Angle of framing- filming below or above the frame

Level- height of the camera

Canted-level but tilted 

Following shot- follows a character

Point of view shot - characters sight 

Wide angle lens- distort the edges to emphasis the amount of space in a shot 

Extreme long shot- scale of what is being seen is tiny 

Long shot- scale of what is being seen is small





6th September

Class notes.
The Godfather
Location say about the character?
Has his own office, superior
Lighting say about the character?
Dim light, darkness behind the godfather shows he could be a metaphorical barrier between the bad and his wife
Lighter on the women
Slouched man seems comfortable in his own space 

Blade runner; Message- technology in the future will corrupt the world and make it over populated and polluted 
Suggests the increase of migration and the negatives of it as everywhere is crowded and polluted 

Tech noir- scifi detective type films

3rd September

Class notes.
Who are the characters ?
Villain, vampire?
Woman
Stereotypical 
What type of film is it?
Gothic horror
How are men and women represented? 
Women are weak/fragile
Should be saved by the men, can't defend herself
Males fight the villain

Words to describe how it looks:
Dark 
Black and white

Fast&furious
Narrative:"going for green", green lorry
Age related to modern times
Death of a legend
Orange new car& black older car with more gadgets
Black on the outside white in the inside/bad on the outside good in the inside
Reflection of the orange car on the black car, foreshadowing the younger man becoming like vin diesel and vin diesels past
The fire in the engine, pushing himself too far and ends up hurting himself

Symbolism; black is a dominant colour- black car
Higher car representing his masculinity and age
Phalic imagery- the car rising like an erect penis
Won't allow himself to quit
Risking their lives to prove their masculinity, however they're doing it together which could be seen as a bond between them
The orange car cares because he stops to check on vin diesel 

Mise-en-scene ;
Location
Costume
Props
Body language
Space etc

Macro-
Genre, style, narrative, representation( female, male, countries), meaning and message 

1.what clues or atmosphere is the film setting?
2.what messages or meaning can you read?

  Blade runner: futuristic location, busy city, Tokyo maybe? 
Hover car 
Dull/dark costumes 
Advertisements for America("the new world)
Constant adverts, brainwashing 
Mysterious mist/fog eery
Polluted
Overpopulated planet?, corrupt and polluted world, purge
Tall buildings instead of wide to fit the large amount of people
Dystopia